Siamo nella Terra dei fuochi, nella periferia del casertano: due contadini, Cosimo e Rosaria, lottano quotidianamente per tenere il loro allevamento di bestiame e la loro terra lontano dall'avvelenamento dei rifiuti tossici disseminati in quelle terre. Comproprietari della piccola impresa Ezio, fratello di Cosimo e sua moglie Adele, genitori di tre bambini piccoli. Quando Rosaria scopre finalmente di aspettare un figlio da Cosimo, la lotta per la difesa della proprietà di famiglia diventa un dovere. Intanto, le pressioni dei responsabili dello "smaltimento rifiuti" diventano sempre più insistenti, quando per ottenere l'appezzamento che confina con le discariche abusive che ne permette l'ampliamento, viene tirato in causa Rino Caradonna, un meschino avvocato, che a sua volta aspira a diventare sindaco del paese. Mentre Ezio e Adele sembrano inclini a cedere a quelle pressioni, la battaglia di Cosimo e Rosaria continua fino a quando Cosimo scopre di avere un tumore in fase terminale, ed impaurito per il futuro di sua moglia e della nascitura, decide di vendere tutto. Sarà Rosaria a prendere in mano la situazione e a non lasciarsi intimorire dalle minacce.
Détails sur le produit
Dimensions du colis
:
18,03 x 13,76 x 1,48 cm; 83 grammes
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Pour calculer le nombre global d’étoiles et la ventilation en pourcentage par étoile, nous n'utilisons pas une simple moyenne. Au lieu de cela, notre système prend en compte des éléments tels que la date récente d'un commentaire et si l'auteur de l'avis a acheté l'article sur Amazon. Les avis sont également analysés pour vérifier leur fiabilité.
This has proved to be a very disappointing recording. The production is spectacular, but, the recorded sound quality is very sub-standard - that is poor. Again Image is running true to form, the packaging contains virtually no imformation, no synopsis of the story, no date of production, no comprehensive list of the cast or any material relating to the cast. all in all a very poor DVD of what should be a most spectacular event. why is there no effort to convert the sould from stero to 5.1 which maks a significant improvement. Many European productions do this most successfully.
In Nabucco the singing is more important than the opera, in the sense that the many hits don't add up to a cohesive musical-dramatic entity. The tension is in the challenges to the singers and chorus. Verdi experiments here with every possible writing form for voices - there is even an a-cappella piece for the chorus - "Immenso Jeovha". The singers in this production provide the focused suspense associated with the vocal requirements of the major roles. Lauren Flanigan, is a marvel at the New York City Opera in the modern repertory, where she recently did Susan B. Anthony, in Virgil Thomson's "Mother of Us All". Flanigan's Abigaille is unusually complicated for a straightforward bitchy character. She creates Abigaille as a tormented woman whose vindictiveness stems from the depths of her anguish, and as such the character arouses some sympathy. Vocally her dramatic coloratura (a bit on the light side for the Verdi roles she is doing) has a lot of presence and a fabulous technique, but there is something more here than just the sum total of some technical accomplishments. I think it's the total commitment and concentration that is contagious, and is the hallmark of a great artist. Her immersion in the role is so total that she becomes breathless at the end of "Salgo gia del trono aurato" but this momentary loss of vocal control is part of the sport-event-like drama that this opera is, where the singers/athletes push themselves to their physical limits. Renato Bruson was the greatest baritone of the 80's. Nabucco is one of his signature roles, but I prefer Cappuccilli's more refined and nuanced approach. Bruson is a great stylist and his big voice is still in good shape, but the close up element of the recording brings out the dark colors of the voice. He attempts little subtlety or shading (other than in his confrontational duets with Flanigan) and delivers the declamations rather fiercely. After the first response of pleasure at the volume and intensity of the voice fades away it comes across as loud and strained. The chorus is up to the challenge, but other than Flanigan's and Bruson's contributions, the production seems to drag on somewhat routinely as far as the audience is concerned. There should be more excitement in the air, and the audience seems relatively indifferent for a Mediterranean audience attending a performance of Nabucco. This may have to do with the conductor's inability to bring out the fire in the work. The final applause dies before he even has a chance to come on stage. The picture quality is excellent, and the wide screen format is quite dramatic. There are some interesting camera angles, for example from the top side boxes, that on the wide screen give an unusual view of the stage. Some camera takes are inspired, like recording the singer in the background between two choir members in the foreground. Surprisingly though, the audio balance is a bit unstable as the singers move or turn their head and on some scenes it has an unnatural boxy acoustic on the stage (the orchestra pit acoustics is fine). The singers occasionally sound close and with no aura around the voice - this problem comes and goes and I couldn't fathom what it relates to. Occasionally the singers disappear momentarily out of focus, particularly when they retreat to the back of the stage. Despite these minor complaints I can't have enough of this DVD. Repeat viewing reveals many fine details of vocal technique, best sampled out of the dramatic context, since there is no context, but rather a parade of vocal pyrotechnics.
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